Artist's
Statement
I
am a southern painter. I love this land, it’s people, it’s sundowns, and
it’s sunups. I love the way the telephone lines carry drawn out words
into the crimson skies, draping pole to pole down an endless single lane
road. This place sings to my heart and soul. There is magic about it.
The summers here are oppressive yet captivating. There are no big skies
of the west or thick fronts of the northeast. Southern summer skies are
intense and quick-tempered. Evenings produce a calm eeriness that
beguiles the wet sweltering heat of the day only punctuated by a stray
bat or effervescent lightning bugs illuminating a dark forest.
Blue-gray haze and intense summer heat
inspire my artwork along with a swarm of noseeums over a field of hay.
The deafening shrill of the cicadas on a breezeless summer morning
awakens my senses and it is a love of place as well as an impact of a
moment that I wish convey.
I am intrigued by Kudzu, non-native as
it may be, and it’s integral part of the southern landscape. Primordial
and aggressive, Kudzu does not care what has been placed in front of it.
Blanketing trees, telephone poles, stumps and oneself if you stood still
long enough. It provides an almost alien landscape of mythical hoodoos.
Abandonment fascinates me: farmhouses
left to decay or are reclaimed by the land itself in the middle of a
plowed field. Maybe this is a nod to my Scottish ancestors who traversed
these hills and fields to settle in the Georgia piedmont. Abandoned
farmhouses speak to me. Who lived there? Why do the current inhabitants
leave them to stand? Why do they gracefully plow fields around them,
sealing off any hint of a drive or entrance with tobacco or cotton
creating sentinels of the south and testaments to lives lived long ago.
I form a connectedness to place with this evidence
of the people who worked the land. This is the south that exists on that
teary place behind your eyes and reaches down into your chest. I round
the corner onto my street. Houses sleep in a blue twilight haze. Steam
rises from the asphalt. Wisteria creeps along power lines, and I am
home. |